Yeah, I know our TV season week one coverage dropped off the map after two days, and I wish I had a good excuse. I started another post, but by the time I thought about revisiting it, it was wildly out of date. I have to admit, for all the excitement I came into the new season with, this fall has been pretty underwhelming. There’s good stuff, to be sure, but in all, without a Lost or Veronica Mars on schedule, there’s nothing I don’t feel comfortable handing off to our TiVo until I have the time to catch up. Speaking of catching up…
Mondays: Heroes keeps on trucking, and I’m enjoying it (though I haven’t watched last night’s ep yet, so keep it spoiler free for now!). There’s a general feeling of setting up the season story, and everyone’s starting to come together in interesting ways. A lot of “homages” going on, though—especially Hiro McFly making sure his parents Kensei and the beautiful maiden get together at the Enchantment Under the Sea dance. Now that Sulu’s dead, I’m glad to see Uhura making an appearance. I guess they’re holding onto Shatner for sweeps (HRG’s dad, perhaps?).
We still like How I Met Your Mother, and I recommend it, though it feels a little episodic and listless. I hope they introduce “mom” soon. Chuck is a bit of a head-scratcher: it’s generally good, though because it (unintentionally) has so much in common with Reaper (see Tuesdays), it pales in comparison. The spy stuff is kinda fun, and Chuck is a likable guy, but I think its airing on NBC at 8:00 means they play it a little safe. Oh, and Morgan is really getting on my nerves. The clingy BFF/office-wife (thanks 30 Rock!) thing is pretty creepy.
Tuesdays: Filed under “close the blinds so the neighbors don’t see” TV, my wife and I are faithfully keeping up with Beauty and the Geek. No early favorite so far, but last week’s elimination was no surprise. At least now the house can settle down sans William The Tactless and the icky Sam/Rebecca PDA-athon.
Still loving the best new show of the season (not much competition, but still): Reaper. “Sock” is the sidekick Chuck’s Morgan wishes he is, and Ray Wise continues to make Satan seem less like the soul-sucking perverter of good he is. The one-off stories have been good, though hopefully they’ll break out into some new territory soon. There’s danger of repetitive distress disorder. It’s only been three weeks, though, and I know I’ll continue to watch as long as CW sticks with the show.
Wednesdays: The only thing keeping me from digitally removing Wed. from all of my calendars until February is ABC’s Pushing Daisies, a relative latecomer that continues the season of quirk with the strangest premise yet: Ned the piemaker can raise the dead with a touch, but only for a minute lest another drop dead to maintain cosmic balance; oh, and if he touches the alive-again a second time, they die, this time for good. In the first episode, Ned brings his murdered childhood sweetheart, a girl named Chuck, back to life and keeps her that way, setting up a series-long romance of figuring out ways for our lovebirds not to touch. The show is populated with colorful characters, from Ned’s private eye partner who knits when he’s nervous to Chuck’s cheese-loving aunts. Jim Dale’s narration (he’s the brilliant voice of the Harry Potter audio books) ties it all together, and makes me wish, in part, that this were a series of books in the vein of Mr. Potter or Mr. Snicket rather than a TV show.
Thursdays: All NBC all the time (except for Survivor: China, whose UFC-style challenges have become so violent I’m convinced someone will die this season). The season began with hour-long episodes of My Name is Earl and The Office, my favorite of the Thursday comedies. 30 Rock (a show I missed last season but will be watching this year) is back in place, and Scrubs is on the horizon. Earl gets points for managing to take last year’s twist (Earl gets sentenced to two years in the clink for a crime his ex-wife committed) and make prison seems like a viable place for Mr. Hickey to do his karmic good. The Office, on the other hand, has had a bit of a slow start. Michael feels cornered by new boss Ryan’s attempt to modernize the little paper company that could, so he’s been acting out, and acting weird—trying to justify hitting Meredith with his car, driving the rental car into a lake, and kidnapping a pizza boy, so far. Michael is best when he’s sympathetically oblivious. Lately he’s been hard to root for.
Dwight, meanwhile, seems creepier than ever, thanks to his mercy-killing of Angela’s cat by putting it, alive, in her freezer. Their strained relationship, and Dwight’s sour mood are a counterpoint to Jim and Pam’s sunny relationship. I love seeing them together. I just hope they can bring the general mood around the office up to general dissatisfaction instead of open hostility. Though making the first episodes last an hour instead of thirty minutes sounded like a great idea, so far it hasn’t helped. Several scenes and storylines went on longer than they should have, and I fear having to fill a full sixty is partly to blame.
But, heck, The Office is still funnier than anything else on TV, and last week’s episode, “Launch Party” (or is it “Lunch Party”?), was pretty much back to form. I have the utmost faith in the show’s writers and cast. Despite its (relatively) shaky start, The Office is worth looking forward to, week after week, if only for exchanges like the following:
Michael (after telling Ryan he hit Meredith with his car): It was on company property, with company property, so…double jeopardy. We’re fine.
Ryan: Michael, that’s not how jeopardy works.
Michael: Sorry… What is “we’re fine.”